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In the Forum: Horn-Loaded Speakers
In the Thread: Macondo's Axioms: Horn-loaded acoustic systems
Post Subject: Good questionPosted by Romy the Cat on: 10/3/2021
 N-set wrote:
If I read you correctly the big midbass did not release the "intellectual tension/demand" of Macondo/Milq. Perhaps I'm wrong or oversimplifying but it seems to me that at least a part of your "problem" with Macondo is an incarnation of the eternal intellect/emotions dichotomy with Macondo being shifted too much on the intellectual side.

This is the whole point. I have no idea where that “intellectual tension/demand" came from. From architectural perspective in Macondo/Milq the this were done in my view very properly and I at lost to identify what is responsible in there for an intellectual burden. I proposed that it is because I conceived it. What took me by storm was the fact the Dannoy instantaneously had no intellectual pressure at all, and this is in positive connotation. It naturally perfectly time aligned, and it has immensely addictive sound and I am sure that I will be able to make it good audio quality, I have a LOT of tools. The most stanning in all of it that as much I did not know why Macondo “did it” I have no idea why Dannoy “do not do it”. Might be in future I will discover what in Dannoy make be to sight for it but for now I have no time to dig into it. Too many other things compete for my time and the most important: the answer of this question do not give anything to me that I already do not have. If I have any committal interest in Audio, I would capitalize the Dannoy finding and would go after it. But as I care less about Audio business all that I need it to have fine result in my listening room and do not care about reasons.

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