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In the Forum: Horn-Loaded Speakers
In the Thread: New superlative horn build - ESD acoustic
Post Subject: The Robert Stevenson’s syndrome?Posted by Romy the Cat on: 4/2/2019
 jackydai wrote:
Romy, I’m disappointed to see you confront your own belief just to win a debate. It is not my intention to convince you, but if you, after all these years of research on horn flares, think that a twisted flare rate at the begining might just have some good magic on the sound, what can I say?
 I do not think that there are any debates are going on here. I very much agree with you that stepped flare are not good. There are no flares out there with perfect continuing opening, it never existed and no one ever heard it. It is possible that the drivers and horns you do are closer to the non-stepped flare then others. Possible. So, what I ask you to describe the sonic merits of the better flare you suddenly become defensive and feel that I am trying to confront you. Here is a tip for you: if you are not prepared to associate you technical talk with very tangible benefits for listening experience then you are wasting you time to design audio. 
 jackydai wrote:
You asked me about my views on the sound of other units, but there are two reasons I’m not going to answer you: 1.I’m not going to wrestle with you in a mudground of subjectivity, which yield no results at the end;
I do not remember I asked you your views on the sound of other units, I think it is what you willing to say. I also do not care about “wrestling with you in a mudground of subjectivity”. I was give you an opportunity to demonstrate if you feel any comfort in the realm of subjectivity and it looks like you do not. The irony is that subjectivity is the only objective thing that exists in that whole filed. Bruce for instance can “run his mouth” about all possible technical aspect of horns design but if you dig his deeper then he is very comfortable to associate his “subjectivism” with his theoretical conclusions. The irony is that in his observation there are no subjectivism for the people who have ears and brain able to interpret what the ears heard.
 jackydai wrote:
2.It’s not proper for me, a manufacturer, to say these.
Why not. It is not appropriate for me an audio manufacturer to delegate to public hat sonic benefit his product can bring? Well, I am qithe sure you are not right about that.    
 jackydai wrote:
That’s why in my last post I said I only talked about facts.
The fact of design concepts or the fact of sonic benefits? Do you deny that your design concepts have any sonic benefits? Do you feel that the sonic benefits are not the facts?   
 jackydai wrote:
Besides, if you care so much about sound, why have you been making so many judgements about ESD products before actually hearing to them?
I do not think I did any judgments about ESD Sound. I was tailing about analyses of design decisions and typical sonic consequences, the same discussion we have all time about new installations. The hearing a playback is completely different matter and it would be completely different things in focus.   
 jackydai wrote:
As for the sub-bass-horn facing the walls, like I said we did many things wrong in Munich, and that situation was also due to the small room we got - you can’t expect the host take new comers seriously. They’ve been facing forward on all the following shows. If you really have watched the video and reviews posted you’d be able to see that.
I well understand and respect that. I also have much familiar with the subject incorporating a large horn in a room and I am in opposition to large horn to be last channel. I wrote about it in past a lot. You feel that you dealing with “small room” but in my view it is one of the fundamental flows of your system design.    
 jackydai wrote:
You are also implying that I’ve lied about the employee stuff. Well, I think people can easily tell it’s two persons from the level of English writing. You really are good at irritating someone by using some dirty words, but I’m fine with that. Your site your rule. I keep my manners.
I see the a different level of English writing but I also see the same irritated soil by some imaginary dirty words. Make up you choses, Dr Jekyll and Hyde

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