I think this only works with grossly deficient recordings. I believe Levinson chose a historical recording as his example for the reviewer. But it allows the FM Acoustics listener to spend endless hours fiddling with the controls whenever an unpleasant sound is emitted from their system. Of course all those hours might better be spent getting the actual system to be more transparent and more tonally balanced but that is another thread.
Edit: The Levinson device was called the Audio Palette I believe.
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