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In the Forum: Didital Things
In the Thread: DAC Recommendations
Post Subject: Where the quality on digital source lives?Posted by Romy the Cat on: 7/5/2013
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 decoud wrote:
I know there has been controversial discussion of this here, but anything upstream of a DAC, i.e. anything digital can have only one metric of quality: jitter (assuming bit perfection, which these days is assured). Unlike anything in the analogue domain, which no reductive measure can capture synoptically, a digital channel cannot be better--physically cannot--except by reducing jitter, provided adequate isolation of any coincident analogue noise from the source (such as can be achieved by say optical decoupling). So the hunt for the ideal digital source should be a mechanical one, so to speak. But from the DAC on, included, all bets are off.  

I think to attribute anything to “mechanical” logic of digital transport is a bit simplistic, as well as to attribute everything to jitter.  A digital transport has plenty of own logic errors correction, disk navigation, servo logic and many other function and only God knows what impact what. Sine the best ever 16 bit CD transports (TLO, Foresail. etc) have no servo and made like mechanical TT we presume that it is the key but it very much not might be the case. The same with DACs. We presume that what DAC does is what is responsible for its sound. The DAC that I use with TLO has 5 very interesting innovations that never were used before, in fact it has US patents for all of them.  The finny parts that according to the DAC designer the sound that DAC produces has absolutely nothing to do with those patents and innovations. So, go figure where we deal with marketing talking points and where we deal with the actual impactful functionality.
 

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