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In the Forum: Horn-Loaded Speakers
In the Thread: Macondo’s Midbass Project – the grown up time.
Post Subject: Audio as an interactive subject.Posted by Romy the Cat on: 1/3/2013
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 rickmcinnis wrote:
It is possible someone would buy the house JUST FOR THE SYSTEM and leave it as a separate listening house…

Yes, that would be very gratifying for sure and my ego will be dramatically enlarged but in reality we all know that it never happens. Also, the only unmovable elements of my playback are midbass horns, so I rather would like to have someone who recognizes the midbass horns as positive addition to the house. I might pull the trick with sound reinforce the piano in the room and if a perspective buyer is musician then it will be certainly be very imprecise for them to learn and to consider. First I need to learn how to reinforce piano with playback however.  Nevertheless, sine we nowhere near or any real-estate projects I think all that is no more than strategic sinking.
 rickmcinnis wrote:
One should always be disatisfied with audio… 
Yes and no. Dissatisfaction with audio needed to be understood from a proper perspective. I have no dissatisfaction with audio as object but I do not like audio as an interactive subject. I have this dissatisfaction for many years. Audio, as I perceive it, is very personal and very individualistic mater and extremely happy with what it does in my life. What could be better than on X-mass days sit in our listening room with Amy, watch the 8” snow developing in the forest behind the window and to listen the fist pressing of Bernstein taking NY philharmonic on the ride across Mahler 4’s sleigh… The audio as interactive subject is totally different thing. I have absolutely no interest to explain to majority audio idiots what to buy, what not to buy what to do, what not to do, defend what I do from moronic public attacks.  This gives me no personal or professional gratification of any king. Unfortunately very view audio people are able engage the subject at the level that would be interested and therefore I mostly have no interest to deal with audio people. It might for external observer looks like a “dissatisfaction with audio” but in reality it is just my desire to protect what I value from stupid pop-consumption and uninformed scrutiny.

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