Rerurn to Romy the Cat's Site


In the Forum: Audio Discussions
In the Thread: Romy The Cat's new Listening Room
Post Subject: Ambient noise and how I would minimise itPosted by oxric on: 5/31/2012
fiogf49gjkf0d
 Romy the Cat wrote:
Interesting the stressing the importance of the listening room Rakesh went into depth of discussing reference clocks and YL drivers that are very irrelevant to the subject of the rooms.

The Rony’s comment about the expression of “ultimate way of life” is very accurately described what I feel. I had the very same objective what I was thinking about my current listening room: to have “family basically lives in the music room”. In my view my current listening room is very good accomplishment of the concept. The image about the in my view would depict the perfect technical setting for perfect listening room would hardly be friendly for living facilities as if you position 40Hz horns in front position then all bets are off and there is no way the room will be friendly for normal living. The way how I hided my midbass horns is very remarkable and no one would understand it unit you visit my room, hear the sound and see that the horn do not exist in the room, literally – they are not there, even they do offer the right sonic contribution.  With the horn in front position it very controversial. The only “interesting” solution that I know off is my old idea to hang the midbass horns in air between the acoustic system and ceiling. Jessie of all people could pull it off but I do not think his project have materialized yet. I would LOVE to see it happen another day. The idea same to me as I have seen people hanged a destroyed grand piano in air and it was absolutely spectacular decoration of high-ceiling loft.

So, from purely conceptual standpoint I wonder if that level of civilian-friendliness that I have in my listening room might be achievable with front-located midbass horns.

Rgs, Romy the Cat

Romy,

The main point I made was actually quite relevant to the discussion I would say!

Your listening room probably needs to be heard to be fully appreciated but I am sure that in terms of ambient noise, good as it is, it could be better. You have these large doors opening on the outside and I have a feeling your house was built using usual american materials. I would hasard a guess that your room is fairly exposed to environmental noises of all sorts. Far from me be it to criticise, and i suffer even more of this problem as mu current listening room in France is at the front of the house leading directly onto the road, albeit that the walls are stone and about 80cm thick or so. It is just part and parcel of most listening rooms nowadays that they are not truly 'silent'. On the other hand, the solution pursued by this japanese audiophile is just too extreme to my taste and I would like the soundproofing of having solid earth around the main perimeter of the room but with an open part leading to a view over the surrounding countryside...and use properly specified sound proof glass, which would have to be triple glazed and built to 'PassivHaus' standards in any case.

As for the comments on the clock, it was just to give an idea of the extremes this audiophile would resort to in his installation, to give to some idea of context for those who cannot just pick up a copy of this magazine but are interested. 

Best regards
Rakesh

Rerurn to Romy the Cat's Site