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Romy the Cat wrote:

PP3000, probably because more HF attenuation, exposes more texture in sounds.  This is what I did not expect.

Yes, it is. Now we are getting somewhere! Those “exposition more texture in sounds” turn out to be a bit tricky. I spend 3 hours to experiment with it, thinking about it, make some adjustments, listening and thinking about it again. It is not so simple. The PP3000 did clear up MF deeper then PP2000 did but at the same time it gave some coloration, texture coloration. It is very minor and it is very attractive but it is not what I would like to have. I would like texture to be dictated by source not to be overridden by my playback. This was not regular texture coloration but very insignificant upper MF texture coloration; I do not expect most of the people dealt with it as to moderate it possible only in context of active multi-way. In my experience I saw it only during my tuning of Injection channel when I converted color of Injection channel into texture of MF. So, I recognized that with new cleaner MM I can take my MF out of it “protection mode” and to run is slightly different.  Playing with Injection level, the MF level and the HF level I found a VERY interesting configuration that is in the same time neutral and spectacular. In a way I can get now the immediacy and nuances of MF from my 12F that I was able to get in my old room from 7 feet. It is not more aggressive but rather more presentable.  I was not able to get it in my new home and I was kind of blaming the larger and relatively live room. Well, now it is different.

The MF now are very smart. They are very powerful in term of showing themselves of but they stop posturing exactly where they need to be stopped. Ironically to do it I need 3 MF channels, 3 amps and one PP3000.  I am locking this configuration of my MF channels and my new default.

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