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Since my B2 ULF power amp will be long time to fix then being a compulsive person fully suffering from Dostoevsky Complex I bought another B2 amp to keep the blood flooding in my playback. Surprisingly it was no my decision but I got advise from Wagner.

Before the amp blew up I was listening Das Rheingold from mid 50s. It was celebrated recording by Georg Solti /Wiener Philharmoniker. Besides very good performance (George London and Kirsten Flagstad to name a few) it has phenomenal sound. London (the label) recorded the opera in studio specifically with objective to demonstrate the capacity of new stereo medium and to convince the consumers to buy stereophonic equipment. Before the B2 blew up I was playing the first act and it was let say ”loud”.  The people who were in my house know that I generally play loud – because my playback can – and the Rheingold that was playing was very loud – how else can you play Wagner. In a few hours the amp blew up and the next day I was playing the Rheingold again.  Now the loud play was not as much fan – without ULF Sound was dry and was more like Verdi Sound instead of Wagner

I realized that I need to bring my ULF back ASAP and that I have no patience foe experiments with other amps.  I also found a technician who most like will look at my burned B2 and will try to fix it, otherwise I will keep it for spare parts… So, my infatuation with audio lately turned into me sitting at my driveway and hallucinating about  coming UPS truck with my new B2 power amp. It’s it, unit I get my B2 replacement I will be wearing brown underwear…

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