Rerurn to Romy the Cat's Site

Stereo is only as good as the width of your head,,,Both visual and audio...Of course locolazion diminish,s as you sit back further,, Hall ambiences will eventually take over...If you are the conductor you get a different perspective,,,And PERSPECTIVE can come from logic of interpretive views..Impactful perspective can come from many sources without stereo...I do not under stand your logic of the case that MONO WAS FORCED (not chosen) you bought your seat (in the hall) and the enviroment will deal you your perspective..  A decest friend of mine ,,(may he rest in hell) only believed in mono,,Making mono records,,most of his life,,would audition his version(mono) than mine (stereo) at the same concert and location..He would point at playback and complain about the swimming sloshy sound,,,He then would disconnect one side and play his mono tape...Showing full localazation and front to back hall balance..  Our mics were on one tall poll mic stand,,In the DECCA tree mic position,,His was the center mic,,,All mics were the same type Sennheiser MKH 105s  Mics were about 3rd row back from edge of stage,,,I now have his MONO tapes,,And play them for doughting morons,,showing that good recordings can be made in mono,,,I then place a record RCA stereo,,with 27 mics like the 32 mike version stereo by phifer,,,,(what a piece of shit) A BARTOK piece,,I wrote the producer a scathing letter,,and told him to shoot the fucking engineer...

Rerurn to Romy the Cat's Site