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Bruce Edgar, the founder and designer of California-based EdgarHorn Loudspeakers, recently announced that he discovered a new relationship between his business plan and rules of physics. According to Bruce:  “The physics of sound reproduction through the horn-loaded loudspeakers is very intricately correlate what my woodmaker’s moods and my bookkeeper’s advisement”.

Being a knowledgeable Horn-thinker but having lethargic woodworkers and frugal business plan, Mr. Edgar over the year spread the rumors that lightly built; curved upper-bass horns are a pinnacle of horns design. “We really have no complains from our customers”, - Mr. Edgar said, - “ This Patrice Barber has light and curved voice anyhow and it was a perfect much for our horns. Since the EdgarHorn customers never heard properly designed straight upper-bass horns with small throat we have opportunities to sell them virtually anything that “looks like horn” and the customers, after knowing the only ported enclosures with rubberized driver, have no other options then to love our curved horn with that have oversized throat”

However, in recent time Mr. Edgar decided that his loudspeakers, no mater how compromised they are still over-perform the majority of the more expansive “boxed” speakers. So, in his desire to increase the price twice he PERMITTED THE LAWS OF PHYSICS in his upper-bass horn and now his Titan loudspeaker will have a straight horn, but only for $20,000 instead of $10,000.

“Our plans look much further into the unlimited taste development of our ignorant and mostly deaf customers. We stratified our customer’s interests, their financial capacities and the business development of our company. – Mr. Edgar said. Then he continued: “After paying $20,000 for a straight upper-bass horn I will publicly acknowledge that the LF loading and throat equalization in horns do mater. Whoever understands would have a chance to pay $30,000 for upper-bass horns having a smaller throat. For $40,000 I will acknowledge the importance of time alignment in horn installations, for $50,000 I will acknowledge the benefit of mass loading for upper-bass horns. For $60,000 I will acknowledge that rectangular horns do not work properly and for $70,000 I would acknowledge that the properly built horns might in fact can perform perfectly fine in nearfield.”

So, the "intricate correlation" between the truth 'bout horns and the laws of physics has shaded some light…

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