Rerurn to Romy the Cat's Site

I know, I know, it is absolutely not NECESSARY and I do not think that I see a need for it. I however see that it might be USEFUL in SOME cases when a recording was mastered by a complete idiot.

So, I wonder if anyone comes across to very high targeting and to very comfortably made equalizers. I know that my requirement for this thing would be too unrealistic for anybody to meet but who know what is out there… This is what I would like to have in an equalizer that I would consider to buy or at least to try.

1)      Analog Equalizer

2)      6-8 channels, not more is necessary

3)      Buffer in, Buffer out, unity gain.

4)      Under 50R, high current output impedance.

5)      Solid State operation

6)      RL-only all high-pass and low-pass, first order

7)      3-6 dB up/down per channels, no more is necessary.

8)      All high-pass and low-pass are individual filters with dedicated at least one core per upper and lower knee.

9)      All coils are with L-cores of high permeability: amorphous or nickel

10)   Options for open up any knee of each filter

11)   Options for bypassing the unit actively and passively.

12)   Non-auditable sonic signature in passive or active bypass mode

13)   Non-auditable sonic signature in “engaged” mode with all EQ zero out.

14)   Calibration of attenuation up-to 0.25dB

15)   Comfortable operation and indication.

Rerurn to Romy the Cat's Site