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In the Forum: Horn-Loaded Speakers
In the Thread: MacondoLite
Post Subject: The Count Alessandro di Cagliostro’s methods.Posted by Romy the Cat on: 8/22/2009
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 decoud wrote:
…. but nonetheless it *is* a set of horns and driver without which it is impossible to give body to the ideas that you talk about. Someone who has not heard the S2, for example, in the way in which you suggest one uses it, would be hard pressed to achieve the same result simply by following what you say….
Yes, I understand what you were talking but in your reply there is a moment that I find interning.  What I am taking about S2, 6C33C, 3A3, Studio 8M, Tannoy Red or anything else that has a definitive meaning then people feel that they know what I am taking about (even if they do not) But when I am implying “proper, meaningful and objective sound evaluation techniques”, the techniques that were responsible for whatever happen with Macondo, then I am very confident that not a lot of people out there have any clue what conversation is all about. A name of specific driver used for a given channel in fact has very little meaning for “ Macondo's Axioms ”. There is something else that is more important: how a given selected driver fulfills owner’s expectation for the channel functional duty.

A few years back I wrote somewhere that I “developed” a semi-mathematical formula according to which an acoustic system’s result might be absolutely objectively weighed up.  I did not go very far with advisement of this equation of mine (because multiple reasons) but some of tangentially-derived conclusions from the equation  are related to the subject of selected drivers for Macondo.  So, if you guys take the subject of building your acoustic systems seriously then I might put some articles about “proper, meaningful and objective sound evaluation techniques” that I developed during the Macondo inventions.

The Cat

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