Rerurn to Romy the Cat's Site

Actually is not mystery but juts economics. BTW, the large Wilsons are I believe are not juts ported but so called fourth order design. With a sealed enclosure of the identical size the Grand Slam / Alexandria would go in Stereophile category of speakers with restricted bass…. Of course I am kindling but the point is that it would be incredibly interesting if David Wilson with all it’s skills would try to punch the envelope of the possible with sealed bass enclosure. Sure it would have 10-15dB leas at 20Hz but it is possible to overcome if to throw money to the problem. Pretend a short-throw driver with 96dB sensitivity and resonance frequency of let say 15Hz but with very high power handing necessary for those speakers. It would be hard to do and David Wilson would straggle to keep the Alexandria’s price user $150K. But I think it is possible…

I think that Wilson does what he does with his biggest flagman is not even because of the economics but because the idiots-reviewers that sell all of it to public let  Wilsons and anybody else to go away with unadequateable result per effort. If any of writing whores of Mickelson or Framer level instead of kissing the underperforming products into the asses and keep oiling the machine of audio stupidity would  demonstrate an integrity and would take a stand then Wilsons and other would take notes and would know that discriminated taste and marketing crap are not necessary the same things. In any other industry – producers work to satisfy the demands level of QA (quality assurance). In audio the reviewing is not QA but rather the continuation of production…

Rerurn to Romy the Cat's Site