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11-03-2015 Post does not mapped to Knowledge Tree
Romy the Cat


Boston, MA
Posts 9,584
Joined on 05-28-2004

Post #: 1
Post ID: 22195
Reply to: 22195
The A=432 Hz Frequency
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An old topic but a very good article from Larouche political group

http://themindunleashed.org/2015/09/the-a432-hz-frequency-dna-tuning-and-the-bastardization-of-music.html

Interesting that with audio we can re-tune A lower by running TT platters slower or by dropping sampling frequency on digital domain.

The Cat


"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche
12-16-2015 Post does not mapped to Knowledge Tree
Gargoyle
Posts 22
Joined on 02-01-2015

Post #: 2
Post ID: 22301
Reply to: 22195
.
fiogf49gjkf0d
 Romy the Cat wrote:

Interesting that with audio we can re-tune A lower by running ....blah blah blah


Is it interesting?
03-10-2019 Post does not mapped to Knowledge Tree
rowuk


Germany
Posts 247
Joined on 07-05-2012

Post #: 3
Post ID: 25302
Reply to: 22195
Just a bunch of random factoids that have nothing to do with the history of pitch
Acousticians drool all over themselves with subjects like this - something not supported anywhere in the entire history of pitch. History shows a constant climbing of pitch - much of it based on the development of wind instruments. Trumpets, flutes, oboes and the like have been recalculated with every increase in standard tuning pitch. They simply do not work at 432.

In the past, there was a convention of high and low pitch - about one full tone apart. In the baroque era this was called Chorton and Kammerton. We have “fixed pitch” instruments clustered around A=466 and others around A=420. We had an old classical Vienna pitch of A=465. Modern orchestras tune to A=441-A=444. At no time in recorded history did anything cluster around 432 - not in serious or in folkmusic. At least, we have no instruments or mathematicians that documented such things.

There is an interesting project by cornetto player Bruce Dickey. He has made a connection of early baroque music to the teachings of Kepler. http://www.brucedickey.com/natures-secret-whispering
The 432 link just proves that if you have a theory, that justification can be fabricated for it. I wish that at least there had been some project worth listening to attached to the hypothesis.


Whenever I feel blue, I start breathing again.
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