| fiogf49gjkf0d"Speakers Corner Records revives classical music powerhouse with new Decca labal reissues!
 
 Much can be said about Decca. About how the record label founded in Britain in 1929 grew to be such a classical genre powerhouse, revered
 by audiophiles for superlative sound and masterful performances.
 
 That reverence extends to the Decca vinyl reissues produced by Speakers Corner Records. Through the decade from the early 1990s
 through the early 2000s, Speakers Corner reissued about 100 Decca/
 London label titles. (British Decca sold its records in the United
 States under the label London Records).
 
 But in 2002 the relationship between Speakers Corner and Decca ended when Decca closed its recording center in London, and their cutting
 engineer, Tony Hawkins, retired. The Decca cutting equipment was also
 sold to an unknown buyer and the tape library was moved to Germany.
 
 Fast forward to 2012 and a relationship that was as natural as a pint and chips has rekindled. Audiophiles will reap the benefits of these
 new Decca reissues from Speakers Corner — the culmination of an effort
 to reproduce as close to the original recordings as can be made,
 involving not just the original master tapes but also the original
 cutting machine and the original engineer. Let's delve deeper.
 
 In order to ensure the high quality that Speakers Corner is known for, the company took on the Herculean task of getting the tapes, the
 equipment and the cutter — "the material, the machines and the man" —
 to the same place at the same time.
 
 It started with the equipment. By fate or coincidence, AIR Mastering, a London mastering studio [founded by Beatles producer, George Martin,
 in 1969] specializing mostly in analogue audio engineering,
 independently purchased the Decca cutting machine and related
 equipment — the first "M." AIR and Speakers Corner have collaborated
 on other projects in the past.
 
 Next up, the second "M" — the material. The unique Decca mastering In mid-2011 Speakers Corner was able to start the mastering processtapes were being stored at the German Bertelsmann Music Group (BMG),
 and they were willing to make the tapes available. Now all that was
 needed for success was the commitment of the last "M", the man. That
 man being Decca';s cutting engineer, Tony Hawkins, who
 enthusiastically joined on to the project.
 
 like the old days: From the very original analogue master tapes on
 Decca equipment, cut by a Decca engineer. It's as original as a
 recording reissue can get!"
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