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» Do not buy CDs mastered »
» Audio vs. Musical pitch
» Liszt’s symphonic poems.
» A big room with good aco»
» What is High-End Audio?
» Devid Berning amplifiers»
» Altec Model 19 in Boston.
» Rachmaninoff PC 2: Conce»
» The new FM Classical sce»
» Film in Boston: "An»
» 3 way Tractrix Horn Buil»
» Playing bad recordings u»
» Polish Chamber Choir - S»
» Analog Transfer: the fir»
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» Rcf n850
» Loit Eagle Player – the »
» High End Munich 2014 imp»
» The Silence of the Lamms!
» About cost of electromag»
» Compression Drivers -in »
» Macondo – Super Melquiad»
» 50/40 Altec 604 Duplex B»
» A quote from a Japanese »
» Maxonic drivers from Jap»
» What drives your musical»
» It was seventy years ago»
» My trip to the Stereophi»
» How to mitigate the expe»
» Getting more from MF cha»
» More Gieseking!
» Engaging the David Haign»
» The remarkable moments i»
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» The real goals of sound »
» Mr. Kleen Stylus cleaner
» Horn length/expansion/gr»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Could someone recommend a reasonably priced pot. 1206 
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Classical events in Boston
AUG 1 Borromeo String Quar»
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AUG 1 Danish String Quarte»
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Herrington, Brian P. (3 Ju»
My Audio Leftovers
CEC TL-0 MK2 transport
Lamm ML-2 Single-Ended »
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
Lamm Industries M1.1 Mo»
Pacific Microsonics Mod»
Vitavox AK-15/40 15" ba»
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Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
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