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» Book "High Quality »
» The optimum Sampling Rat»
» New here
» Analog: a reduction of s»
» Electrostatic Sub Horn
» About my listening habit»
» Help to identify the LF »
» Good midbass is complica»
» Horn Speaker Leftovers f»
» Reallocation of efforts:»
» Don’t "use" VTA
» The path of simplificati»
» Audio equipment vs. live»
» S2 Hissing Sound
» Tractrix Bass horn vs Sp»
» Life 3.0
» Antenna solutions for FM
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» Bias help
» The Free Intent Audio Jo»
» The “Melquíades” d&»
» Macondo vs Dannoy = Esse»
» Mendelssohn, Cello Sonat»
» BBC: Composer of the Wee»
» Neat reminiscences from »
» Six years of continuing(»
» Sansui TU-X1 Broadcast m»
» Macondo Frame modificati»
» The Silence of the Lamms!
» Tchaikovsky’ Death
» Why the tubes shall be t»
» A great article from Pet»
» Those little headphones…
» The new releases from &q»
» Bruckner Ninth and the W»
» Le C'leach horn rear cha»
» My (Amplification + Acou»
» "SOTA Technology&qu»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Valve Technology Timeline 6570 
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Classical events in Boston
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My Audio Leftovers
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
Mid-range tantrix round»
LF Transformer for 6C33C
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
Micro-Seiki MAX-282 To»
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Kenwood L-02T FM Tuner
Koetsu Onyx Platinum Ca»
Fane Studio 8 dual conc»
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